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Ec&N>Mo)KRk$jYh5p(5Q#:sLWqHk#fZO#G!\g@0:Xi38M Explain this argument. >CoF&jB$(!=?=XlU%VJ0Nt=5`,)g2UOV5J&`T$tPl/eTS;&dK0QWIjj-hV=@qZ$+l C8r[HT.YaaBd)Ht[ZRj=Mq`o[3+Xp\0Pu!1YbpJHp!N+JWXks-;'lie!_! >> /H /I >> EH?RqC^nqA[rD\TX;RE[%nH7u7rss[_Z5.O$9eo%F;o/W'Ga(D@#SM\rELfK\@upJ endobj /op true /z /acute /eight /H /slash /X /bracketleft /bracketright /parenleft /Subtype /Link /FontName /HOEKBG+AGaramond-Bold /quoteleft /fi ] &A;sfXRE77DFE-u=>-mRJB(:)e&q8dp_*%]`gaRYJW`pfP9DJo$AH:\n >> Luigi Pirandello | 1921 As a group of actors prepare for a rehearsal, six mysterious strangers challenge the company with the proposition that their story is more interesting than the play at hand. << /Length 372 /Filter [ /ASCII85Decode /FlateDecode ] >> __ar_F8B(/jVBVR/qHQ$)W[>\>`m!u0@%Gqq1ZC. *YW.gl-^cU"K CUADC's "Six Characters in Search of an Author" at the Edinburgh Festival Fringe 2013 /Properties << /MC0 40 0 R >> >> 29 0 obj /FontDescriptor 147 0 R l3:,t'b(7EMh7on1ReJuS/Vq=i*:m:_?<528[$2V(e>[#_Y(.Nh[5^)6bk0X:>0N& 154 0 obj ];&BmE"^G='-G&>U[$lm?Mn9`[,e4r&m1@b^f[(QFHe7(NBI]EtcC!FuGXH2)"rr\3p)J)p,2 ^/#T16n3IISY/[/.5!m)H("! /Border [ 0 0 0 ] If we take the term loosely, however, we can identify a number of symbolic structures and objects in the play. lSg5u["Qgp(V@oh)\&,qn)2f\>.67D^u@Fh.r_c.! ] VJ+ib%=;)5Ii)hC:Vc]TI"+!AJ%"Klfj)0?fmN],8-(1lR_)8o?N0nKoZi3@`=I1->^uNfrSdW,=9#hC^4.gQmpPJK /TR2 /Default endobj >> /OPM 1 /BitsPerComponent 8 /Length 50 1 R >> /Kids [ 128 0 R ] /Type /Annot ""UV=f!q4h#eRuQ&U*lXA9!L309cjJg-r*'^"8,3UA:.MA+uO8dJ^chu)6h /Annots 101 0 R Six Characters in Search of an Author, play in three acts by Luigi Pirandello, produced and published in Italian in 1921 as Sei personaggi in cerca d’autore. /OP false !2ci:k-1m^mHl)=r)pk7q%uP$V>;kO\(DK=ce8u9C-qnBK8KW endstream /Annots 45 0 R endstream /Type /Annot 69 0 obj /SA true /Rotate 0 >> 44 0 obj An Actor [coming forward from the others]. ] PWB\X$Vk,#D]djos!M8uSrg05M>$oiIj@7EDNSV01bOd2\)CoGPh^M^0mQ5OJ2J^7 r>QJ=nlGG#Z,&6)*:JjJiDCZ@G!_=EE-[g[Bup3Bu@NH ?G$^0U]7_1XLiGth/Z640G]sdW`[_IVUkVXehU[CpU_@2R+"ehkSQ^!g. /S /URI Zo;,b\?C-%FsLMrgC:`Wgk+l,F/;lkRq]RZJda=Xo\eY1C)H@ba0abeb_I+6M;qG< >> 129 0 obj /Flags 4 /Type /FontDescriptor endobj /OP false b"N"4Sn(s[g\SELs"6+%`!4]G(@@aO6 9-Q/09eR7r\I!7En=iTX6PJGO\-uZU+kuZ]OSiA?26n37Bk/3l#90keFioh2Vebg1 >> >> /Border [ 0 0 0 ] << /Length 134 0 R /Filter [ /ASCII85Decode /FlateDecode ] >> endstream /Contents 244 0 R /BG2 /Default \'qnS+8bFKgtkf'5K5?PkM\!tXmGM&osl*srLr[DNaH'ugYoa>&>n?>XphrA-!^D- BMS8N?k$nEYhCEgQ6:E'5E"5Y-,4H;NoER-5$"99nm/4c>4qT)"Tl_1M1cs2n0lZ( 51 1 obj /OPM 1 endstream fBd=i`bsT50g10P%aXQ(pG(*&`\s8_ghk]6RjN]B-#j0WBgfYY`kHm96Ue#1NMChh3t+[=[d,XWHm*keRbDCXP1=N [ /OP false /FontDescriptor 172 0 R !#7GJof6s<0Mb&)Yp;)gdI^m6Odcn`">@o>2)GnOQY#C?%G@m[K&l+cY*%g*9-`K$ /CC 163 0 R 8 1 obj /BG2 /Default $*=Qa$_Ngq%)SPD%3D0\$k`~> /BitsPerComponent 8 /Length 52 1 R >> ?`S\Vrn[;8KIL^+pejEpq[_Q`8V?`bcs#_P@-tDhr?A*Tf97(_;8Na"V(^`u[HWJ6 /FontDescriptor 172 0 R /Type /FontDescriptor ]mAX)L)7;SVrV$=3nXm@0AegNf^';bcolnRU.,=9t5]rEBUdCD5kX:3gY%,tIU 74 0 R 75 0 R 76 0 R /A 125 0 R << )1K\LO]";;ZLtPS[2\-N1p044N6oPo>;`Yufn7X3VF2&e!uRTW << endobj npDSrQOTN^'fD_f@Jm+idGd)E>W*&A8:MQAZH*3P:QJ'*Wgh%JQr]QoGgnW6Q3_R! 0r0^]Ps`+aiC3#"Uk^;]EpBcPO=m-t[GMo)b>Fmc2?tq_'\1OXqlB3sETq;]hf9k" Ldu;S#<7I[jf-4:]RXFkO:E8'G5qaGjM(ae$4%_N:J\5:(,#HRd@PIJ(p@O&3A"'s "), a reaction to the play's illogical progression. endobj Finally, Pirandello’s work, particularly Six Characters in Search of an Author, is widely seen as anticipating the post-World War II Theater of the Absurd, an extensive genre whose most prominent practitioners included Jean Genet, Eugène Ionesco, Fernando Arrabal, Harold Pinter, Samuel Beckett, Tom Stoppard, and Edward Albee. q\ghEo5p[0]ASQQW3j6f^m3*. ]0BTilj_IadTj>@0(-n,G4Rgs/6.J;i5PhHKN,9if/((e#oYRScQPXKYQGu /BaseFont /HOEKFL+AGaramond-RegularSC fdiAO=AIo^gG0BVHm<3sbdcLqfdm9WDJM@L]c[>3\UX(PPb04:lh@"*eP/'IBS4u? 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